Orlando di Lasso's imitation magnificats for Counter-Reformation Munich / David Crook
1994, First Edition. Princeton, New Jersey : Princeton University Press. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Item #394337
ISBN: 0691036144
Physical description; 295 pages : music. Notes; Revision of the author's thesis (Ph.D.--University of Princeton, 1991). Includes bibliographical references (pages 211-295) and index. Contents; Frontmatter -- Contents -- Acknowledgments -- Abbreviations -- Pitch, Clef, and Chord Designations -- Chapter 1. Introduction: Orlando di Lasso and the Polyphonic Magnificat -- Chapter 2. Sixteenth-Century Vespers Polyphony for the Bavarian Court, the Use of Freising, and the Tridentine Reforms -- Chapter 3. The Patrona Bavarian: Music and the Counter-Reformation in Bavaria -- Chapter 4. The Representation of Psalm-Tone Categories in Imitation Magnificats -- Chapter 5. The Intertextuality of Lasso's Imitation Magnificats -- Appendix 1: The Magnificat Set to Lasso's Canticle Tone No. 2 -- Appendix 2: Catalog of Lasso Magnificats with First Publications and Approximate Dates of Composition -- Appendix 3: Instructions for the Elevation of the Image of the Risen Christ after None on Ascension -- Appendix 4: Correspondences between Lasso's Imitation Magnificats and Their Model Compositions -- Works Cited -- Index. Subjects; Lasso, Orlando di 1532-1594. Magnificats. Magnificat (Music) History and criticism. Church music Germany Munich 16th century. MUSIC History & Criticism. MUSIC Instruction & Study Voice.
Price: €45.00